Balance in all things is an ages-old recipe for fulfillment and happiness in life. “Enjoy all things in moderation,” goes a common refrain, “except moderation.” It is thought that by finding the centre between the many forces pulling one’s self in different directions, one can find tranquility and harmony, that position of perfect equilibrium as refreshing to our spirit as a wooden beam precisely balanced upon our shoulders.
Balance is also critical to the health and longevity of our shared passion, Magic: the Gathering. It speaks well to the balance of the game that we are still here discussing it nearly two decades later, but like our personal balance it is not a static condition. It is instead one that must continuously and deliberately be maintained. Witness the balance between the five colours, predictability and variance, power and toughness, risk and reward, cost and outcome. Balance is no mere window dressing, but rather it speaks to the very heart of any game that deals with forces in opposition. Ask anyone who engages in player-versus-player video games who has the easier time of it: Horde or Alliance? Chaos or Order? You’re likely to get some very spirited responses.
Balance is one of many things that must be taken into account when designing a new Magic set, but it comes to the fore much more visibly when looking over those Magic releases which directly pit two decks against one another. While colours can be balanced over time (“Blue was strong last time, now Green gets its turn.“), Duel Decks are frozen in time forevermore once released. Indeed, the entire success of the product is predicated upon the degree which each side can be given as close to equal power as is possible. Players might still line up to buy Duel Decks: Planeswalkers vs. Thrulls, but not for the reasons the designers might hope. Today we’ll be taking a look at the concept of balance and how it applies to direct-opposition releases and what we might expect from the product line in the future.
A balanced and skillful approach to life, taking care to avoid extremes, becomes a very important factor in conducting one’s everyday existence. -Dalai Lama
The first official Duel Decks release was launched on 16 November, 2007, but its spiritual ancestor trundled off the printing press nearly a decade earlier. 1998’s Anthologies was created in commemoration of the game’s five-year history, and like the later Duel Decks featured cards from all different sets ranging from Limited Edition Alpha to Urza’s Saga. There were two decks included, one Green/White and the other Black/Red. Although their colours and cards were completely different, there was one thing that the decks had in common.
They were equally terrible.
It takes a certain generosity of spirit to look kindly upon Anthologies. Yes, they were bad, but they were also Wizards’s first foray into a real self-contained preconstructed segment. Sure there was the Rivals set two years before, but that was designed as an introduction to the game and to get new players acquainted with the concepts behind it. You can hardly fault the developers for looking to begin on safer ground, and so they did: both decks are essentially a version of the same deck, but in their respective colours. Each deck gets two artifacts and has 23 creatures. Green/White gets an Order of the White Shield. Red/Black? A Knight of Stromgald. A Serra Angel on one side is offset by a Volcanic Dragon on the other. Green/White gets a White Knight. Red/Black? Take a [card Black Knight]wild guess[/card].
Indeed, the “playing it safe” mentality went beyond key cards into making both adhere to a narrow set of parameters. Because weenies are typically much less swingy tham bombs (and therefore produce more consistent outcomes that are easier to control), Green/White is packed with 1-2 power creatures, a sleep-inducing 78% of them. And Red/Black? Surprise! Also 78%. This was inarguably balance, but it was one imposed from the outside rather than one that found its inner peace and harmony through the offsetting of opposing forces. It would be back to the drawing boards for Wizards. Although the “two versions, one deck” model would never again so blatantly reappear, it would have a resonance that would echo years ahead.
Two years later, Magic‘s next two-player preconstructed set was launched. 2000’s Beatdown was not all that different from Anthologies in some ways. This time it was White’s turn to get the shaft, with the Red/Green Ground Pounder squaring off against the Blue/Black Aerodoom. Despite the obvious differences, there were the same striking similarities: each deck had an identical mana base, right down to the nonbasic lands (each carried on-colour uncommons from Fallen Empires and commons from Urza’s Saga), and each packed five pieces of removal. More critically, both followed the same script: screw the weenies, let’s drop some of the fattest fat fatties we can find into an arena and let them pound the bejeezus out of one another. “Big creatures,” intoned Richard Garfield in the accompanying booklet, “are the soul of the game.”
Thanks in part to the design strategy, however, these decks managed to capture enough of a distinctive feel that it avoided the trap Anthologies fell right into- generic duplication. Sure each side had its fatties, but they were well-chosen not only for size but how they mechanically represented their colour. Sengir Vampire? Very Black. Leviathan? Undeniably Blue. Contrast that with the opposing deck’s Shivan Dragon (firebreathing) and Force of Nature (massive trampling).
Using the weenie metric employed above, we find that only 14% of Aerodoom’s critters have 2 power or less, with a slight uptick for Ground Pounder (20%) due to its need for mana-ramping elves. These may have followed a similar script, but in their execution they felt far more flavourful- cards selected with purpose, not just a set of nearly-identical throwtogethers. Wizards was learning.
But alas, for whatever reason Beatdown was the end of the line. The following year’s specialty product, Deckmasters: Garfield vs Finkel, consisted of decks designed by those prominent personalities rather than by Wizards directly, and therefore outside the scope of consideration. It would be another seven years before the idea of the duel-in-a-box would again bear fruit when the Magic world awoke to the announcement that a new product, the Duel Decks, was launching amidst a horde of elves and goblins.
Duel Decks: Elves vs Goblins was a flavourful home run from the start. Both tribes are ones that not only play well amongst their own kind, but are popular are even occasionally competitive at the highest levels of the game (at the time of writing, mono-Green Elves! has been sighted in Standard, and the Goblin-touting Red Deck Wins hasn’t really gone away). Make no mistake, Elves vs Goblins had some analogous card selections.
However, on the whole the decks hewed true to their tribal flavours which, despite both being tribal reboots largely derived from Onslaught block, reinforced very seperate identities. It’s a bit like a Camry and a Lexus: their exteriors might be quite different from one another, but under the hood in each case you’ve got a Toyota. It was an encouraging next step.
The next evolution in the Duel Decks came with the decision to base the decks upon their newest permanent type, which had been introduced just a year earlier in Lorwyn: the Planeswalker. Duel Decks: Jace vs Chandra was tremendously successful from this perspective as it gave the developers an easy theme to wrap a deck around. This “back to basics” thematic approach was one that would be repeated over and over again. [card Chandra Nalaar]Chandra’s[/card] a Red pyromancer and her deck will be aggressive Red critters and scads o’burn. Liliana Vess? Black graveyard and discard effects. [card Elspeth, Knight-Errant]Elspeth[/card]? White Soldiers. Without taking anything away from the designers, since this isn’t easy work, once you’ve selected the Planeswalker the deck virtually builds itself. You won’t go broke wagering that lifegain will be a solid theme in the White half of this Autumn’s Duel Decks: Ajani vs Nicol Bolas.
The follow-up of the tribal Duel Decks with the Planeswalker one in 2008 cemented a release schedule that promises to continue into the future, namely that of the Autumn Planeswalker-based decks, and the Spring-based thematic ones. In April 2009, the second thematic Duel Decks launched, and the Magic world was given Duel Decks: Divine vs Demonic. Consisting of a monowhite deck filled with Angels versus a monoblack one stuffed with Demons and Imps, the deck looked every bit the descendant of the Anthologies–Beatdown-Elves/Goblins lineage. In the case of both of its decks, you had a series of relatively inconsequential bodies filling up space as each deck raced to get out its top-of-curve beaters aided by a smidgen of mana ramp (Dark Ritual, Marble Diamond). Although a novel concoction- neither Angels nor Demons had ever held a richly-defined tribal place in Magic’s lore- there was little innovation here. Beatdown could get away with its parallel trajectories a bit more because it was crafted a decade earlier. It would take revisiting a storied and epic period of time in that very lore to finally signal a sea change with the design of the decks.
March 2010’s Duel Decks: Phyrexia vs. The Coalition was an intriguing choice of subject. Although many players of the game may not have been active during 2000’s Invasion block where the story originally concluded, most would recognise the Phyrexians as one of the game’s greatest villainous creations. Wizards certainly wanted to create a product worthy of the names, and while in the end they fell a bit short from a playability perspective, what they accomplished in terms of innovation for the Duel Decks series can only be accorded the highest praise. They finally broke free of the curse of trying to run parallel decks, and found true harmony by balancing wildly differing and adversarial forces.
For one thing, the decks could not be any more different. The Coalition is a five-colour deck, while Phyrexia is mono-Black. This was the first time a Duel Decks deck had been anything other than mono-coloured, and to go with all five took some measure of courage. Mono-Black is also very condusive to overwhleming early aggression, so that had to be balanced as well. In the end, the designers went with disparate win conditions in the Phyrexian deck rather than a unified, synergistic whole, which had an overall ‘throttling’ effect on the deck’s speed of deployment. As I wrote in a review of the deck, “it’s almost as if you were privy to a clutch of Phyrexian generals arguing about strategy and tactics in the War Room, then threw in a few cards to support each strategy to keep everyone happy.”
Certainly it was more than capable “live-the-dream” explosive starts like Swamp -> Dark Ritual -> Priest of Gix -> Phyrexian Negator, but just as often you’d be sitting around with a Puppet Strings, a Voltaic Key, a Hornet Cannon, and a sour look on your face. Phyrexian removal was also deliberately scaled back, with access to about half as much removal as Liliana’s own mono-Black construction. Still, balance was attained, and not the artificial balance based on homogeneity. This was a true and splendid thing: an equilibrium of unrelated forces in opposition.
Signs for the future give good reason to be optimistic that Wizards has made a significant learning advance through their experience with the Duel Decks. They’ve matured and broken free from their legacy of parallel design, and the curse of the Anthologies can at last be said to have been broken. The next thematic set has already been announced as Duel Decks: Knights vs. Dragons. Cheap White weenies versus big Red beats? Now that would be harmony in opposition!